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Nashim - A Journal of Jewish Women's
Studies and Gender Issues

Current issue (no. 5, Summer 2002):
Feeding an Identity:
Gender, Food, and Survival


Contents

Norma Baumel Joseph
Introduction

Carol Meyers
"Having Their Space and Eating There Too: Bread Production and Female Power in Ancient Israelite Households"

Nina Mandel
"Spirituality, Baking, and the Queen of Heaven"

Ruth Abusch-Magder
"Eating 'Out': Food and the Boundaries of Jewish Community and Home in Germany and the United States"

Wendy Zierler
"The Rabbi's Daughter In and Out of the Kitchen: Feminist Literary Negotiations"

Paulette Kershenovich
"Evoking the Essence of the Divine: The Construction of Identity Through Food in the Syrian Jewish Community in Mexico"

Mary I. Hale
"Not a Seder: Gender, Meal, and Memory Revisited in a Christian Community"

Sonia Zylberberg
"Oranges and Seders: Symbols of Jewish Women's Wrestlings"

Rob Baum
"The Order of Things" (poem)

Farideh Dayanim Goldin
"Blood Lines" (memoir)

Resident artist: Judith Margolis
"The Wedding of Food and Death"

Issue #5, Feeding an Identity: Gender, Food, and Survival, was edited by Norma Baumel Joseph.

"Why do we talk disparagingly of 'kitchen Judaism'?" asks Norma Baumel Joseph in her "Moreover, is it coincidental or consequential that the food preparer -- the neglected or invisible ritual expert and participant -- is female? Food appears to play a profound part in Jewish communal identity and religious life, but the woman's ...productive power is lost to the observer's gaze."

Precisely because it is the quintessential requirement of nature, food becomes a primary product and vehicle of culture; and women, by and large, are the medium of that metamorphosis. In NASHIM no. 5, seven writers take a learned look at the "meat and potatoes" (or rice and lentils) of Jewish cultural life, at the mainly female hands that cook and serve them, at the formative and transformative effect of food upon community and community upon food, and at how women think about their roles as food providers.

True to NASHIM's multicultural, interdisciplinary mission, the contents span centuries and continents. Archaeologist Carol Meyers analyzes how women's role in grinding flour and making it into bread for a family made them economic and social agents of community in biblical times, while Nina Mandel, a rabbinical student, takes a theological look at how certain baked goods mentioned in Scripture might have shored up or -- in the hands of women -- challenged the hierarchy of religious leadership.

Ruth Abusch-Magder and Paulette Kershenovich, writing, respectively, on the nineteenth-century German Jewish community and the present-day Syrian Jewish community in Mexico, examine the role of traditional foods in defining the borders of community. The introduction of new foods, either from the "outside," non-Jewish world or from different Jewish communities encountered by Jewish immigrant groups, impacts on how Jews define their identity both to themselves and to the world.

Wendy Zierler focuses on a very specific group of women: three rabbis' daughters in the nineteenth and early twentieth centuries who -- unlike most of their female contemporaries -- absorbed Jewish learning in their natal homes and later turned to the writer's life. How did this affect their attitudes toward the place allotted to them in the kitchen by traditional society, and toward the women -- mothers, sisters, friends -- who remain there?

Finally, two articles discuss new rituals created by women, both in the context of the Passover story. Mary Hale, the only non-Jewish contributor, describes the effect on an Anglican community of a ritual communal meal designed to commemorate the Seder which was Jesus' last supper, without co-opting the Jewish ritual itself. In Sonia Zylberberg's article, we learn the history and cultural reverberations, past and future, of a new feminist Jewish symbol: the orange on the Seder plate.

Food itself, women, and the dynamic preservation and transformation of tradition are the recurrent themes of this colorful issue, which is rounded out by creative perspectives in poetry, memoir, and art. Particularly moving is Audrey Flack's account, cited by art editor Judith Margolis in her essay on "The Wedding of Food and Death," of the reception of her vanitas painting, "World War II," by a group of women Holocaust survivors.

SYMPOSIUM

Changes and Directions in Women's and Gender Studies: Contrasts and Comparisons -- participants: Renée Levine Melammed, Deborah Bernstein, Sara R. Horowitz, Leah Shakdiel, Asunción Blasco, Erella Shadmi, Ada Rapoport-Albert, Galit Hasan-Rokem, Susan Handelman

Brenda Socachevsky Bacon
Reader Response: "How Shall We Tell the Story of Bruria's End?"

The Jewish Family: Myth and Reality
The Second Conference of European Female Rabbis, Cantors, Jewish Activists, and Scholars, Centrum Judaicum/Neue Synagogue, Berlin, Germany, June 1-4, 2001, reviewed by Lori Klein

Ronit Lentin
Israel and the Daughters of the Shoah: Reoccupying the Territories of Silence, reviewed by Sybil Sheridan

Adele Berlin
JPS Bible Commentary: Esther, reviewed by Pnina Galpaz-Feller

Call for papers Nashim no. 7
Autobiography and Memoir

Call for papers Nashim no. 8
Tense Dialogues: Speaking (Across) Multicultural Differences in the Jewish/Israeli/International Feminist World

AVAILABLE BACK ISSUES:
No. 4 (2001): Feminist Interpretations of Rabbinic Literature
No. 3 (2000): Motherhood (edited by Susan Sered)
No. 2 (1999): Crossing into Modernity: Renegotiating Jewish Gender Identities

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Deborah Greniman, Managing Editor
NASHIM: A Journal of Jewish Women's Studies and Gender Issues
e-mail: dvorahg@zahav.net.il
Tel: (972-2) 6716096; Fax: (972-2) 6790840
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